53 Brentwood Blog

Sunday, December 18, 2011

Dioses y Santos

No es el qué sino el cómo. Este Barça ha vuelto a maravillar al mundo futbolístico dando una auténtica lección a la altura de los más grandes de todos los tiempos. El conjunto de Pep volvía a vestirse de corto para darse una cita con la historia y no falló. Japón les debía una y eligieron el marco perfecto para vengar a aquel equipo que en 1992 cayó contra el Sao Paulo en una final de infausto recuerdo. Ahora los Messi, Xavi, Cesc y compañia cogieron el testigo para bordar una actuación digna de videoteca siendo fiel al estilo que a hecho grande a este Barça.


http://www.sport.es/es/noticias/mundialito/barca-somete-santos-las-ordenes-del-campeon-del-mundo-1276442

BURNT NORTON -- T.S. Eliot

"Although logos is common to all, most people live as if they had a wisdom of their own."
1. p.77. Fr.2


Heraklitos
Heraclitus 
The Riddler
The Obscure" 

Tuesday, December 13, 2011

bella

Amore, 
vola da me 
con l'aeroplano di carta 
della mia fantasia, 
con l'ingegno del tuo sentimento. 
Vedrai fiorire terre piene di magia 
e io sarò la chioma d'albero più alta 
per darti frescura e riparo. 
Fa' delle due braccia due ali d'angelo 
e porta anche a me un po' di pace 
e il giocattolo del sogno. 
Ma prima di dirmi qualcosa 
guarda il genio in fiore del mio cuore. 
 
Alda Merini

Thursday, December 01, 2011

Paul Motian, one of jazz’s most inventive and masterful drummers, died on Nov. 22 at 4:52 a.m. in New York City. He was 80.


“He had this canny way of sounding like he didn’t know how to play the instrument,” DeJohnette said. “He played kind of bebopish in some of the licks, but even when he did that he sounded like Paul Motian. He had his own thing. Later, I heard him with Bill Evans at the Village Gate; he took a solo that was so amazingly funny I was in hysterics. I was on the floor laughing, just the way he played. It was so outlandish. And it was so un-drumistic. But so musical, the way he hit the instrument with abandon. Again, it sounded like somebody who didn’t know how to play the drums, but it made sense. That expanded even more when he played with Keith [Jarrett], because Keith allowed him more of that expanse. Paul’s like a painter. He’s a sound sculptor.”


http://www.downbeat.com/